Null Arguments in the Yoruba Child’s Early Speech

the analysis of the role of the speech acts theory in translating and dubbing hollywood films

از محوری ترین اثراتی که یک فیلم سینمایی ایجاد می کند دیالوگ هایی است که هنرپیش گان فیلم میگویند. به زعم یک فیلم ساز, یک شیوه متأثر نمودن مخاطب از اثر منظوره نیروی گفتارهای گوینده, مثل نیروی عاطفی, ترس آور, غم انگیز, هیجان انگیز و غیره, است. این مطالعه به بررسی این مسأله مبادرت کرده است که آیا نیروی فراگفتاری هنرپیش گان به مثابه ی اعمال گفتاری در پنج فیلم هالیوودی در نسخه های دوبله شده باز تولید...

Are there null arguments in Athabascan?

The existence of null arguments in Athabascan languages, and other polysynthetic languages, is a debated topic. We argue that, if the agreement on the verb is the argument, the so-called Pronominal Argument Hypothesis, languages such as Navajo do not have null arguments in the traditional sense. We then outline the diachrony of Athabascan object marking on the verb (by looking at the various co...

Fragments vs. Null Arguments in Korean

Korean has two types of answers shorter than full sentential answers: Fragments and null argument constructions. Apparently the two constructions have the same interpretative processes. However, there are some cases where the fragment and null argument construction behave differently: e.g., wh-puzzles, sloppy interpretation. We suggest that the two constructions involve two different types of a...

Topics and Null arguments in Korean: the syntax and discourse

Null arguments and topics have been studied as two distinct phenomena, which are separately attributed to the discourse-oriented parameter and topic-prominent typology, respectively. As argued in Huang (1984), null arguments are allowed in languages like Korean, because they are discourse-recoverable, carrying old information. On the other hand, topics occur in the sentence-initial position in ...

Null arguments and the acquisition of Case and Infl